You are seeing this message because your Web browser does not support basic Web standards. Find out more about why this message is appearing and what you can do to make your experience on this site better.


ABOUT JAMA
Advanced Search

Welcome   | My Account | E-mail Alerts | Access Rights | Sign In


  Vol. 280 No. 3, July 15, 1998 TABLE OF CONTENTS
  JAMA
  •  Online Features
  The Cover
 This Article
 •Full text
 •PDF
 •Send to a friend
 • Save in My Folder
 •Save to citation manager
 •Permissions
 Citing Articles
 •Contact me when this article is cited
 Related Content
 •Similar articles in JAMA
 Topic Collections
 •Humanities
 •Humanities, Other
 •Alert me on articles by topic

Le Philosophe

Since this article does not have an abstract, we have provided the first 150 words of the full text and any section headings.


Jacques Villon (1875-1964), Le Philosophe, 1930, French. Oil on canvas. 100.6x80.9 cm. Courtesy of The Brooklyn Museum of Art, Brooklyn, NY (http://www.brooklynart.org); gift of Gerda Stein.

The oldest of the Duchamp artist-brothers, Jacques Villon (née Gaston Duchamp) (1875-1963) is probably the least well-known of the three. Yet it is he who has been the most enduring, perhaps even the greatest. (Raymond, a sculptor, had his career cut short when he was killed in 1918 during World War I; Marcel cut his own career short, also in 1918, when he virtually ceased painting to devote his life to chess [JAMA cover, May 6, 1998].)

Because he gave at least as much attention to the theory behind the art as to the making of the work itself, Villon has often been called "the painter's painter." It was he who studied the science behind the color and . . . [Full Text of this Article]







HOME | CURRENT ISSUE | PAST ISSUES | TOPIC COLLECTIONS | CME | SUBMIT | SUBSCRIBE | HELP
CONDITIONS OF USE | PRIVACY POLICY | CONTACT US | SITE MAP
 
© 1998 American Medical Association. All Rights Reserved.