This Article  • Full text  • PDF  • Send to a friend  • Save in My Folder  • Save to citation manager  • Permissions  Citing Articles  • Contact me when this article is cited  Related Content  • Similar articles in JAMA  Topic Collections  • Humanities  • Humanities, Other  • Alert me on articles by topic  Social Bookmarking   What's this?

	Since this article does not have an abstract, we have provided the first 150 words of the full text and any section headings.

Caravaggio (Michelangelo Merisi) (1571-1610), The Musicians, circa 1595, Italian. Oil on canvas. 92.1 x 118.4 cm. Courtesy of The Metropolitan Museum of Art (http://www.metmuseum.org), New York, New York; Rogers Fund, 1952 (52.81). Image © The Metropolitan Museum of Art.

His talent was huge, his life brief. He painted like an angel—and brawled like a sailor. He wore a sword and wielded it as easily as a paintbrush. By the time he was 35, his paintings, mainly religious scenes for churches, were known not only in his native Lombardy, but throughout Italy; he was also wanted for murder in Rome after killing his opponent in a game. He fled, first to Naples, then to Malta, but did not interrupt his painting. The final irony came when he was returning to Rome for a pardon and died of malaria in a forsaken swamp just outside Porto Ercole, where the . . . [Full Text of this Article]

M. Therese Southgate, MD

CiteULike    Connotea    Del.icio.us    Digg    Reddit    Technorati    Twitter     What's this?