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  Vol. 298 No. 23, December 19, 2007 TABLE OF CONTENTS
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Two Girls at the Piano

Since this article does not have an abstract, we have provided the first 150 words of the full text and any section headings.


Figure 70034FA
Pierre-Auguste Renoir (1841-1919), Two Girls at the Piano, 1892, French. Oil on canvas. 116 x 81 cm. Courtesy of Musée de l’Orangerie (http://www.musee-orangerie.fr/), Paris, France. Photograph by Erich Lessing © Art Resource, New York, New York.

Like Caravaggio three centuries earlier (JAMA cover, December 12, 2007), Pierre-Auguste Renoir (1841-1919) chose music and musicians as the subject of a major painting. The choice came naturally. Charles Gounod had once suggested to Renoir's parents that the boy would do well in a musical career. Renoir chose painting, but during his entire life he loved music and was never without a piano. The choice of motif must also have had special significance for Renoir, for the painting would be his reply to an invitation from the French government to create a work for the national collection. Renoir chose two of his favorite models (JAMA cover, May 9, 1980), . . . [Full Text of this Article]

M. Therese Southgate, MD







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