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  Vol. 300 No. 10, September 10, 2008 TABLE OF CONTENTS
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Pièdouche Paperweight

Since this article does not have an abstract, we have provided the first 150 words of the full text and any section headings.


Figure 80024FA
Pièdouche Paperweight (view with pedestal). Clichy Glasshouse (1837-1885), Pièdouche Paperweight, circa 1845-1860, French. Glass. Diameter: 7.6 cm. Courtesy of The Art Institute of Chicago, Chicago, Illinois (http://www.artic.edu/aic); bequest of Arthur Rubloff, 1988.541.326. Photography © The Art Institute of Chicago.

There is no kind of precious stone which cannot be imitated by the industry of the glassworkers . . . but consider to whom did it first occur to include in a little ball all the sorts of flowers that clothe the meadows in spring.—Marcantonio Sabellico, De Situ Urbis Venetae, circa 1495

Glass paperweights have been classified as functional art, although their function is absurdly simple—to sit on and hold down papers of interest, something that every housecat can do. Their appeal as art, however, is personal, and for me the fascination began in childhood.

Art often has a visceral attraction for children. They are drawn to the colors of . . . [Full Text of this Article]

Robert M. Golub, MD



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