You are seeing this message because your Web browser does not support basic Web standards. Find out more about why this message is appearing and what you can do to make your experience on this site better.


ABOUT JAMA
Advanced Search

Welcome   | My Account | E-mail Alerts | Access Rights | Sign In


  Vol. 300 No. 12, September 24, 2008 TABLE OF CONTENTS
  JAMA
  •  Online Features
  The Cover
 This Article
 •Full text
 •PDF
 •Send to a friend
 • Save in My Folder
 •Save to citation manager
 •Permissions
 Citing Articles
 •Contact me when this article is cited
 Related Content
 •Similar articles in JAMA
 Topic Collections
 •Humanities
 •Alert me on articles by topic

Head of a Woman

Since this article does not have an abstract, we have provided the first 150 words of the full text and any section headings.


Figure 60004FA
Henri Matisse (1869-1954), Head of a Woman, 1917, French. Oil on panel. 34.9 x 27 cm. Courtesy of the Philadelphia Museum of Art (http://www.philamuseum.org/), Philadelphia, Pennsylvania; Samuel S. White III and Vera White Collection. Copyright 2006 Succession H. Matisse, Paris, France/Artists Rights Society (ARS), New York, New York.

Creativity may come easily for many artists, but sometimes inspiration arrives in the form of a muse—John Lennon and Yoko Ono, Calvin Klein and Kate Moss, Woody Allen and his cast of thousands. Impressionist Henri Matisse (1869-1954) often found inspiration in his beautiful models.

Head of a Woman (cover) is a typical Matisse portrait. He completed this painting in 1917 when he was 48 years old and married with 3 children. Spending long hours painting women may have been an escape from his family responsibilities. Matisse often had affairs with his models, although he tried to be more . . . [Full Text of this Article]

Angela Grayson







HOME | CURRENT ISSUE | PAST ISSUES | TOPIC COLLECTIONS | CME | SUBMIT | SUBSCRIBE | HELP
CONDITIONS OF USE | PRIVACY POLICY | CONTACT US | SITE MAP
 
© 2008 American Medical Association. All Rights Reserved.